Super Mario Bros/SatAM: Do Great Minds Think Alike?
Posted: Thu Aug 25, 2011 9:38 pm
As you know, 1993 was the year of the video game adaptation: The kids who grew up with the NES and Sega Genesis were treated to two definitive adaptations on the big and small screens: Super Mario Bros. and Sonic the Hedgehog (SatAM).
It's interesting to note just how much the two properties share. I don't suggest plagiarism for one minute, but the parallels are THERE.
In SMB, Princess Daisy enlists the help of Mario and his apprentice, Luigi, because the world of Dinohattan has effectively gone to hell in a handcart under the reign of King Koopa. This big-league villain controls all of the city, as well as the Devo Chamber, a machine which can de-evolve dissenters into Goomba thugs (operated by Simon, called Bloober) and has already turned the former King into a big bogey that hangs from the ceiling. Along the way, they meet a resistance fighter named Toad who is de-evolved into a Goomba.
In SatAM, Princess Sally enlists the help of a resistance movement, headed by Sonic and his apprentice, Tails, because half of Mobius has effectively gone to hell in a handcart under the reign of Dr. Robotnik. This big-league villain controls Robotropolis, as well as the Roboticizer, a machine which can turn dissenters into obedient robots (operated by Snively); the madman has also put the former King into a wasteland dimension called The Void. Along the way, they discover Sonic's uncle Chuck, who was turned into a robot many years ago.
See what I did there? Now, each story has a few unique wrinkles. SMB's uniqueness lies in its capitalism-gone-wrong premises (Scapelli, the nightmare of Dinohattan, Thwomp Stompers = Air Jordans, etc.) and the ever-present fungus (the King wreaking havoc on the city as a way of getting revenge and pointing out that something is indeed wrong in the state of Dinohattan). However, capitalism isn't all bad: without it, we wouldn't have heroes like the Super Mario Brothers. It is only when it's turned into a grotesque, snakeskinned parody that it becomes a bad thing.
SatAM's uniqueness comes from the fact that Robotnik didn't invent the Roboticizer: Uncle Chuck did, and with a completely noble intention--it was meant to help terminally-ill people until a cure could be found. There is no such noble purpose to be found with the Devo Chamber. Also, SatAM points out that technology itself isn't bad--it is only when tossers like Robotnik pervert it for their own gain.
It's interesting to note just how much the two properties share. I don't suggest plagiarism for one minute, but the parallels are THERE.
In SMB, Princess Daisy enlists the help of Mario and his apprentice, Luigi, because the world of Dinohattan has effectively gone to hell in a handcart under the reign of King Koopa. This big-league villain controls all of the city, as well as the Devo Chamber, a machine which can de-evolve dissenters into Goomba thugs (operated by Simon, called Bloober) and has already turned the former King into a big bogey that hangs from the ceiling. Along the way, they meet a resistance fighter named Toad who is de-evolved into a Goomba.
In SatAM, Princess Sally enlists the help of a resistance movement, headed by Sonic and his apprentice, Tails, because half of Mobius has effectively gone to hell in a handcart under the reign of Dr. Robotnik. This big-league villain controls Robotropolis, as well as the Roboticizer, a machine which can turn dissenters into obedient robots (operated by Snively); the madman has also put the former King into a wasteland dimension called The Void. Along the way, they discover Sonic's uncle Chuck, who was turned into a robot many years ago.
See what I did there? Now, each story has a few unique wrinkles. SMB's uniqueness lies in its capitalism-gone-wrong premises (Scapelli, the nightmare of Dinohattan, Thwomp Stompers = Air Jordans, etc.) and the ever-present fungus (the King wreaking havoc on the city as a way of getting revenge and pointing out that something is indeed wrong in the state of Dinohattan). However, capitalism isn't all bad: without it, we wouldn't have heroes like the Super Mario Brothers. It is only when it's turned into a grotesque, snakeskinned parody that it becomes a bad thing.
SatAM's uniqueness comes from the fact that Robotnik didn't invent the Roboticizer: Uncle Chuck did, and with a completely noble intention--it was meant to help terminally-ill people until a cure could be found. There is no such noble purpose to be found with the Devo Chamber. Also, SatAM points out that technology itself isn't bad--it is only when tossers like Robotnik pervert it for their own gain.